Binge-Watching The Latest Festive Features: The Good, The Bad and The So-Bad-It's-Good.
‘Tis the time of year to slob out on the couch and consume a tin of mince pies in front of a good movie, a poor film, or one that’s awesomely awful.
This year, a batch of fresh holiday movies aims to become part of our seasonal watchlist—potentially even joining the ranks alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
Therefore, in a helpful attempt to sort the crackers from the turkeys, and to embrace the holiday mood, I watched as many new Christmas films as possible in a single day.
First Up: The Jonas Brothers' Holiday Flick
Beginning, optimistically, on a good foot. This film is the sole 2025 movie on a well-known aggregator's list of the best 100 holiday films of all time.
The popular band end up stuck in the UK after finishing their world tour and must get home for Christmas. Their endeavors are thwarted by an villainous Saint Nick, who breaks into song to declare they won’t get home until they “find their familial spark.”
The back-and-forth between the squabbling siblings is amusing even for the non-fan, while followers will certainly notice lots of easter eggs as they endeavor to get back using every mode of travel possible.
It’s a journey of epic proportions.
It’s not legendary, but is great for devotees and a solid start to the day.
Holiday verdict: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their relatives who will have to sit through it.
8.45am - Tinsel Town
Hollywood star Kiefer Sutherland stars as a celebrity cast a pantomime.
“A what's a panto??” asks Sutherland’s “hard-to-work-with” and ageing lead Brad Mack, who has hit a rough patch and whose manager has misled him into thinking he’s performing in high-class London stage.
His pantomime co-stars let him know he’s playing Buttons. “Absolutely not,” he protests. It's easy to predict their reply. Except if you’re unfamiliar with traditional stage call-and-response.
There are some very funny lines, some cockle-warming storylines, and the rest of the cast is brilliant, too.
It’s the sort of feature that would be a bit tacky at any other time of year, but is a great entertainment at Christmas.
Holiday verdict: 🎄🎄🎄🎄
A New Spin on Scrooge
Danny Dyer shows up at the outset of this film, too, delivering a signature line for the next movie straight. Could this be a new Christmas tradition?
This time, he’s a crooning chauffeur who collects Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The well-known tale unfolds as the stingy Mr Sood is haunted by the apparitions of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This Indian Scrooge is at least distinct from all the others, but regrettably he’s not very captivating and Nayyar’s performance is lifeless—a significant issue when he’s so central to everything.
Christmas tree rating: 🎄🎄
12.04pm - Stuffed
There’s time for a major broadcaster's Christmas comedy-drama—which stars Guz Khan as a charmingly cantankerous character who “doesn’t really do Christmas.”
But after he is awarded an large festive windfall at work, his wife (starring Morgana Robinson) convinces him blowing the money on a vacation to Lapland.
There’s just one issue—he finds out there was an mix-up with his bonus, which should have been £800, and he has to determine how to return the remainder.
Enjoyable but forgettable.
Festive score: 🎄🎄
Early Afternoon: Champagne Problems
This is one of those holiday movies where the festive trappings are in the backdrop—Christmas is the environment of the film rather than its core purpose—but it feels comfortable and seasonal all the same.
High-powered businesswoman Sydney (played by Minka Kelly) is dispatched to a vineyard to do a deal for a sparkling wine company. On the way, she encounters a fellow in a literary haven who offers to show her a festive Paris.
A commentator recently declared this is the finest new Christmas film of the recent era. That’s a bit of a exaggeration, but it is a holiday love story with a hint of sophistication and gives the required warm and fuzzy feels.
The scene with a extended debate about Die Hard is notable too.
Holiday verdict: 🎄🎄🎄
Mid-Afternoon: Finding Father Christmas
Sixteen-year-old Chris, played by Lenny Rush, holds onto his belief in Father Christmas, despite the efforts of his dad (played by James Buckley) to tell him the reality.
The answer is out there, and Chris embarks on a quest to find it with the assistance of a group of well-known figures.
It’s low-key but charming, and good viewing while expecting Santa to visit.
Festive score: 🎄🎄🎄
Late Afternoon: Oh. What. Fun.
Michelle Pfeiffer is the matriarch of a bickering American family who come back together for the holidays—including other acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping holiday staples like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the real champions of the holidays—moms.”
So that’s the premise, but in practice it’s really a mash-up of those aforementioned movies, at least until Pfeiffer’s character at last finds her strength.
Christmas tree rating: 🎄🎄
Evening: A Scottish Christmas Secret
The day’s gone downhill, but thankfully here’s a new addition in the saturated market of cliched, saccharine, over-the-top—and highly entertaining—seasonal comfort food.
It’s a narrative as well-worn: An American woman journeys to a picturesque cold country and ends up discovering romance.
In this case, Caprice Bourret plays a publisher